When we first started writing the song Caras escondidas there was just a massive big bang in the beginning and some eerie sketches of a song melody made by Okko along with some ideas for the rhythm for the vocals.
As I started to write the lyrics in a suitable rhythm and length, with words that would somehow fit the mood, the story soon started to form into this ”scary ghost story at sea”.
waves of the sea
in the distance
you hear someone singing
We wanted the atmosphere to be somewhat spooky and even apocalyptic. It didn’t matter if the story itself was quite abstract and left a lot of room for imagination. The ”Caras escondidas” (=hidden faces) in the story are a symbol for the fear that creeps up on you when night falls. They are the faces of those abstract figures you think you see in the dark when you are scared enough.
The ”me” in the song is a force that is commenting the occurrences in the story but also affecting them.
She is singing for the poor drowning soul that is the object of the happenings:
There’s no cord* to hold on to
My voice will drown you
You search for the bottom
but won’t find
the cord that will rescue you
Breathe the melody
Breathe the melody
*la cuerda means not only a rope or a cord but the string of a musical instrument and a chord as in the term used in music
For a musician it’s not so unusual to be drowning in melodies. Sometimes it would be nice if someone threw you a rope to hold on to (be it a chord that makes the song make sense or something else that helps you) when you feel that the song is just not coming together and the ideas are floating on some other, distant, ocean. With this song the only solution was to let go and permit myself to write such an ambiguously heaving story that it shall take the weight of itself to carry afloat – or just let it drown in the melody. Whatever happened, we got through with the song, and it even ended as the opening track for the album.